That he felt that an industrial art, such as film, is strong, and that, in contrast, pure art can only be the personal experiment, weak. He was very interested in relics, in desiccating things, as a kind of denial of sensibility and qualities.
|
Que trobava que l’art industrial, com el cinema, és fort, i que, en contrast, la plàstica pura només pot ésser l’experiment personal, feble. […] S’interessà molt en les relíquies, a dissecar coses, com a forma de refús de la sensibilitat i de les qualitats.
|